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Completely flat faces or tightly curved edges give my work strength and tension
so that the body and form of clay is another surface for making marks and cultivating textures
but my work is never static or fixed and in some ways reflects the multifarious identities of contemporary ceramics- a twenty-first-century hybridization of studio potter and conceptual artist
this sculptural tray in solid sterling silver
Oval Series III url-nosan-clay-studio Completely flat faces or tightlyFormed through a slow, hand built coiling technique, each ceramic vessel is unique, bearing the accumulated marks of its making. Inspired by the landscapes of Korea, ShinHyeok Has work balances organic form, subtle texture and stillness through a matt, unglazed surface. "A key element in my work is the natural flow of the clays texture. The fine traces left behind in the hand building process resemble the brushstrokes of landscape painting, embodying
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