Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest These painted objects almost resemble

These painted objects almost resemble modernist buildings – just on a smaller scale - opening up spaces to explore the ephemeral quality of light within a given spatiality

In these paintings her working process is very porous and she is excited by the wide range of possibilities they are opening up

Each elements' dimensions: 30 x 20 x 2 cm / 11

The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process

Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest These painted objects almost resembleThis captivating photograph captures the essence of New York through a unique lens. Wajdowicz, known for his minimalist and semi abstract approach, relies solely on in camera techniques to craft his images. Archival pigment print, blind embossed stamp and signed by the artist. Limited edition of 9. Shipments are in a hard tube, protected with acid free tissue.